Knowledge Bank

3 min read

The balance grid, and the two guides for things you cannot control

A centred face and centred text cancel each other out. Plus the duration badge and the crop nobody plans for.

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Flat illustration of an image frame.
PackageLinked task: Build the thumbnail · step 25 of the 47

A face and a headline dropped in the middle of the same frame fight over one square inch, and at feed size neither of them wins. The balance grid overlays a set of guides on your actual thumbnail draft so you can see the collision before you publish rather than after.

Drop in the draft
Pick face left or right
Check the zones
Move the subject off centre

Why off centre reads faster

The fix here is the one photographers have used for a century. Put the subject on a third rather than dead centre, and hand the remaining two thirds to whatever else has to be read, which on a thumbnail is almost always the text.

A centred face and centred text cancel each other out. Move the face to one side and the title gets a clean two thirds to live in, and an off-centre subject is quicker to parse at feed size than a centred one.

The face left and face right toggle exists because that choice is not arbitrary. It depends on where your text block sits and which way the subject is looking, and flipping between the two takes a second.

The five guides, and what each one catches

GuideWhat it is for
Rule-of-thirds linesThe two vertical and two horizontal lines you place the subject against
Face zoneThe shaded third where the subject sits without crowding the text
Text zoneThe clean area left over for the headline
Power pointsThe four points a subject's eyes usually land on
Duration badge and safe marginThe parts of the frame you do not control

The two guides for things you cannot control

These are the ones worth the visit on their own, because they catch problems no amount of design sense will.

YouTube draws its own duration badge over the bottom-right corner of every thumbnail. Anything you put there is going to sit underneath a black pill with white numbers on it, and you will not see that until the video is live.

The dashed margin marks what gets cropped. Mobile and the rounded-corner grid view both eat into the edges, so text placed near the boundary loses its first or last letter on exactly the surface most of your audience is using.

Use it while the layout is still rough

The point of the grid is to change the composition, which means running it while moving things is still cheap. Bring it in when the layout is roughed out and the text is placeholder, before you have spent an hour on the lighting of a face that is in the wrong third.

Once the composition passes, the remaining checks are about legibility at size rather than layout, and those belong in the feed preview.

What it will not tell you

It has no opinion on whether the thumbnail is any good. A perfectly balanced composition of a boring idea is a well-organised thumbnail nobody clicks.

The grid solves collisions. Deciding what the image should show in the first place happens two steps earlier, when you sketch the concepts.

Nothing is uploaded

The grid renders in your browser and the draft stays on your machine.

Keep reading

Building the image itself is covered in make the thumbnail. Once the composition is settled, run it through shrink-testing the pair, and if the text and the title are saying the same thing, title and thumbnail as a pair covers the split.